The Nuclearscapes of the Blackwater Estuary and Foulness Island: Towards an Interscalar Curatorial Practice
Starting with the premise that contemporary art contributes to academic and public discourse in the field of nuclear culture, my practice-based PhD research project develops an interscalar curatorial practice, taking Essex’s nuclearscapes—namely the Blackwater Estuary and Foulness Island—as a starting point to understand the county’s role in Britain’s nuclear story. I seek to explore how the curatorial can engage with the complex context of the county’s nuclearscapes and in turn contribute to new knowledge around and through curatorial practice. In addition, this project aims to be a generative point of departure to consider the contested discussions around the UK’s civil and military nuclear industries..
During the project I worked with artists and others to explore Essex’s nuclear legacy, as well as its present and future entanglements with the nuclear. The result are curatorial situations which advocate for an expanded understanding of the curatorial, working with artists to make work public in responsive and discursive ways. The written thesis critically contextualises my approach and the associated projects within an interdisciplinary framework drawing from sociology, anthropology, visual art, cultural and curatorial studies, while focussing on nuclear landscapes and communities, the curatorial, contemporary art practice and nuclear colonialism.
Link HERE to my profile on Goldsmiths’ website, and HERE for the MARs website—the Mountain of Art Research (MARs) is based in the Department of Art at Goldsmiths College, and linked to the Art Research Programme.
You can access my thesis via Goldsmiths Research Online HERE
Blackwater Estuary, courtesy Burnham on Crouch and District Museum, UK